Fernando's talk and interview were super
interesting to me, especially his discussion on the way people react to his
robotic installations. The often-intense reactions his piece Elevator's Music
would get from people, either via their extreme discomfort with robots or their
comically compassionate response to them, which climaxed when one robot got
stuck in the ceiling and wasn't able to retract into its hideaway. This
prompted some viewers to alert the museum authorities in an effort to assist
the robot in its time of need.
As
a science fiction nerd and someone who is fairly obsessed with Otherness and
the role of compassion in creating a livable society, the topic is fascinating.
My current project is about identity and how technology influences or mutates
our selves. It's a part of a larger body of
work which threads a series of stories together, each offering different
examinations of interrelated social issues and one of the central goals is too
look at the role of various factors on how we see the Other, how we assign or
deny human rights, how we define the self, and so on.
Currently
a good bit of discussion is happening in the technological world about what to
do with new forms of consciousness when they arrive. With advances in
Artificial Intelligence, virtual reality systems, cloning technologies, and embryonic genetic modification among others, we're at a point in our development as a
species that these questions have become genuinely important as opposed to fun
theoretical exercises.
The diverse responses to these robots, whether
in their moment of struggle or simply as they did what they were made to do
gives a tiny glimpse into how we might approach a world in which aliens, robots,
clones and/or synthetic lifeforms live amongst us, the current masters of
consciousness.
No comments:
Post a Comment